For something a little bit different today, I’m interviewing author A.E. Hayes about Shattered: Memories of an Amnesiac! I know, it sounds like science fiction, despite my own medical knowledge about traumatic brain injury gleaned from my years of editing a medical journal on rehabilitation. So I was instantly intrigued about, well, everything about this.
ABOUT THE BOOK
“You’ve been captive far too long,” she whispered. “So I’m releasing you.”
The universe was bathed in white light, and as I touched the azure and ruby stars dancing above my head, the crack within me split and fractured into madness.
I felt the shatter. But I was powerless to stop it.
A.E. Hayes wakes up in a bright hospital room on the afternoon of August 24, 2010, with no idea of who she is or what has happened to her. When her doctors begin saying words such as “traumatic brain injury” and “retrograde amnesia,” she realizes that she cannot remember anything at all – including the man sitting beside her who claims to be her husband.
Guided by numerous doctors, hospitals, trauma units, her husband, a mysterious person known only as Starlight Boy, and an equally mysterious voice inside her head that tells her to seek the truth, Hayes sets out to uncover the answers about her rare condition. But is her amnesia truly all there is to her story? Through various sources, Hayes must learn about her startling and often traumatic past – and how that past may permanently alter the future.
Raw and riveting, Shattered: Memoirs of an Amnesiac leads readers down a path of darkness, mystery, and redemption – where heroes are often villains, fiction routinely gives way to fact, and how, ultimately, the truth can be both the disease and the cure.
Though your academic degree is in writing fiction, I know from my own professional experience that writing nonfiction is another beast. How do you balance the difference in writing styles?
Writing nonfiction — especially a memoir — was absolutely a massive undertaking. I’m very used to writing fictional pieces, in which the characters come into my head, take over, and create a fantastical fictional playground. And I’m quite used to a distanced form of nonfiction, since I worked as a music magazine writer and as a newspaper editor. But writing a memoir — a story that is one-hundred percent true about my life and the events that have occurred — forced me into a different head space. But telling the truth was the key to balance. With fiction, I do have to tell the truth as my characters would tell it — if character X says she didn’t have an affair, but character Y says she did, those are their truths, and I must be honest to those characters and write out those events. But with nonfiction/memoir, I had to tell the truth as it actually occurred in this very human, real life. The only things that were not one-hundred percent factual were names, some locations, and some identifying characteristics (I’m really not a fan of lawsuits). But the events were all true, and I couldn’t have made them up if I tried. Since these things did occur to me, I could rely on my own experiences to guide me, and I think that made the process a little easier (despite the amnesia, which I will get to in the next question). Continue reading